E LEITZ WETZLAR PROJECTOR TV

Examples of magnetic sources are things such as audio speakers, TV monitors and actual magnets. Never place your memory cards close to magnetic sources. Never keep them in places where they may heat up, like dashboards or glove compartments. Make sure that you keep memory cards only in cool places. When removing memory cards, make sure you do so indoors or in non-dusty situations. Only transport your memory cards inside of a protective caseMake sure the memory cards stay dust-free at all times. Good Memory Card Care Is Good Camera Care It’s also a smart idea to have a soft towel with you to wipe off any moisture, just in case it should get on your camera. If the weather’s unusually cold, just wrap your camera in a plastic bag that has silica desiccant packets for the reduction of moisture. Take your camera out only in a waterproof bag. No matter what it is-swapping lenses, changing memory cards or disconnecting or attaching cables-your camera should be turned off.Ĭold and Wet Weather Can Wreak Havoc on Your Camera Body Turn Your Camera Off Prior to Doing Anythingīefore you do anything to your camera, always keep in mind that it should be turned off first. So if you’re thinking about just putting your camera on the shelf for several months, do yourself a favor and remove them. If you keep your camera with the batteries inside of it in a moist area, then the batteries can get corrosive. Many camera batteries are now alkaline or lithium formats. Never Leave Your Batteries in Your Camera for Too Long Buy a special cleaning kit that includes liquid solutions, microfiber cloths and brushes that have been specially designed to clean your camera lens. Use only special equipment to clean your camera’s LCD screen and camera lens. In 1960 or 1961 the colour changed to light blue.Ī camera bag does more than just protect the camera against scratches and dust: It keeps it safe from rain because many are waterproof on the outside.īe Very Careful Around the LCD Screen and Camera Lens Leitz offered the Prado 500 until 1968, then the Prado Universal replaced it.īy changing the condenser lens and the attachement and the lens it could be changed to a Prado 66 for 6圆 cm slides. Longer focal lengths were available on request.įor lenses of 200 mm or more a special long base was offered.įor all Prado (250/ 500) a magazine changer was supplied. Lamp: cine socket bulb of 250 Watts, In 1954 the more powerful Prado 500 was introduced, a built-in blower in the base supplied the cooling and now lenses up to 250 mm were offered.

1954 the stubby base was replaced by the elegant base. The Prado 250 (it was the 1950 renamed Parvo 250) had a triple-walled lamp house, lenses of focal length from 85 to 150 mm, and different attachements for micro-projection or with a micro-aquarium. The black Parvo 250 was changed in 1950 to Prado 250. It had a new design (made by an artist) and a new elegant elliptically-shaped lamp house. In 1949 the Parvo 250 replaced the Leitz VIIIs. Supplied with Leitx mains lead and in fitted case

E LEITZ WETZLAR PROJECTOR FULL

Table truncated, full table size 1250 Kbytes.Ernst Leitz Wetzlar Prado 500 35mm Slide Projector with CaseĮxcellent cosmetic condition and fully working This is the final calculated measurement for each probe set identifier that has been made comparable across all samples and rowsĪ qualitative measurement indicating if the probe set is detectedĪ p-value indicating the significance of the Detection call School of Biosciences, University of Nottingham Nottingham Arabidopsis Stock Centre (NASC) The data were analysed using Affymetrix Microarray Suite 5.0 (MAS5)

Lighting: 4 d darkness -> 1 min red light -> 4 h darkness Red light pulse / time course: 1 min red light pulse followed by 4 h of darkness / light intensity: 50 µmol m-2 s-1 / filter: KG65 double glas filter (Balzers, Liechtenstein), lamba(max) = 650 nm, half-bandwidth = 15 nm / light source: Leitz Prado 500-W universal projector (Leitz, Wetzlar, Germany) together with Osram Xenophot longlife lamps (Osram, Berlin, Germany) / Temperature: 22☌ GEO help: Mouse over screen elements for information.Īmount of dry seeds: 18 mg / sterilisation: 3 min 70 % Ethanol, stir with over-head tumbler -> short centrifugation ->resuspend in 100 % Ethanol ->pipette on sterile filter paper ->air dry in a sterile bench / Growth media: MS agar (1.2 %) covered with a sterile filter paper (Schleicher and Schuell, Rundfilter 595, Dassel, Germany) in petridishes / Stratification: 8° C, 48 h / Germination induction: 2 h red light / Growth: 94 h in complete darkness at 22☌ before onset of irradiation

E leitz wetzlar projector